I Wrote This: San Francisco Mixtape Society

With this piece, I officially declare myself a freelancer.

http://www.crawdaddy.com/index.php/2010/07/15/the-san-francisco-mixtape-society-a-conversation/

Annie Lin talks fast, and flaps her hands around while doing it. This could be the gravy boat of coffee in front of her, but it seems natural. Only in San Francisco could she comfortably have a bowl of minestrone soup and coffee for dinner on an evening in July.

Lin has just moved to Potrero Hill, but it’s not the first move she’s made in her lifetime. “I knew John when I lived back in New York,” says Lin. “It’s funny; the two of us are not only from New York, not only from Brooklyn, but from Williamsburg.”

She’s talking about John Verrochi, her co-founder of the San Francisco Mixtape Society. San Francisco Mixtape Society is a bi-monthly meeting at the Makeout Room for mix-making enthusiasts in the Bay Area. Many have tried to install similar events in the Bay Area in the past—there’s a cautionary tale going around of a former mixtape event in San Francisco that required participants to arrive armed with enough copies of their mix for the entire group—but Lin and Verrochi’s SFMTS has been the only Bay Area mixtape-trading event to actually work.

In 2008, both she and her friend John Verocchi happened to find jobs in the Bay Area around the same time. Having frequented an NYC event called Fixtape together, they decided to import the mixtape party to their new home.

“I don’t know if this ever would have happened if it weren’t for the two of us,” says Verrochi. “She was all about it; I was all about it. We just wanted to do it and we did it. We never really had a business model.”

Though based on its East Coast predecessor, San Francisco Mixtape Society feels uniquely San Franciscan: It has all the community and come-as-you-are vibes of a classic Haight-Street collective, but the precise organization and engineering of a Silicon Valley startup.

 

At the July 11th meeting, the theme is “Foreign vs. Familiar.” It’s a small crowd compared to the explosive turnout for the inaugural event in February this year, and the stormy Easter Sunday meeting drew a soggy but sizable crew. This time it’s a scant 40 or so, but they are no less enthusiastic. Prizes are given for audience’s favorite playlist, judge’s choice, and best artwork, which, this time, goes to a woman who has encased her disc in a globe. And they’ve put a new rule into effect: Anyone who brings a mixtape—a mix on an actual audio tape—gets a drink ticket.

It’s no wonder that interested parties from across the country are reaching out to them, asking how they can start their own branch of SFMTS. Groups from Washington DC, New York, Los Angeles, and Seattle have all come knocking, asking if they can start spin-offs in their home cities. The press is heralding SFMTS’ success as evidence of a renewed interest in the art of the mix. Even rumors of a possible book deal are in the air.

Verrochi isn’t ready to start thinking about that just yet. “Besides getting the website in order, I’d simply be happy if we were still around a year from now.”

“I feel like it’s harder to talk to people out here,” says Lin. “The good thing about Mixtape is that it’s a music event you can talk to people at. A show is a common first date, but you can’t really get to know someone while you’re watching a band.

“That’s my dream. I’d love to hear that two people traded mixes and then later hooked up, all because of our event.”

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I Wrote This: The Phenomenauts at Homestead Lanes

After a long break from writing due to some family trauma, I’ve returned with a small box in the back of the Metro this week. It was on the front page of Metroactive as of this morning. Not bad for 250 words.

http://www.metroactive.com/music-clubs/phenomenauts.html

THE Phenomenauts are gods among geeks these days, but it wasn’t always as such. Ten years ago, singer/guitarist Angel Nova, drummer Jimmy Boom and former ‘Naut Joebot 1.0 set up camp on Fisherman’s Wharf, busting out ’80s covers on accordions and ukuleles. “We thought we’d show up in costume, make a whole bunch of money, and go home rich and cool,” says Nova. Under the name Space Patrol, they hopped out of a van in white jumpsuits and attracted the attention of passersby. “A lot of people took pictures, but not a lot of people gave us money.”

They still don’t get paid much more than most local indie acts, but they’ve gained a few more fans since then. The Phenomenauts have come a long way since hustling tourists on the wharf. Not only is their name known far and wide across the Bay Area and in certain geeky circles, they’ve got a slightly bigger budget to work with. These days, it’s Have fog machines, lasers and toilet-paper gun, will travel. The band has become legendary for its ghetto-rigged live shows, featuring audience-interactive toys, gadgets and games, and has attracted legions of devout followers who dress alike, organize into regional chapters and write themselves into the Phenomenauts storyline.

 Constantly playing and prepping for the release of The Electric Sheep EP on Aug. 6, the band is busy unleashing new songs on its audiences. “I don’t know what we’re gonna do in the future; the industry’s changing so much,” says Nova. In appropriately futuristic form, Electric Sheep will be available for download only. No matter what they do, it’s always in the name of their ubiquitous slogan: science and honor.

And for old times’ sake, here is the story that started it all. I’ve got more material on these guys than I know what to do with.

I Wrote This: Crazy as Hill

Here is the music feature from this week’s Metro. It is not online, so I went as far as to SCAN it for y’all. I am that proud of this story.

I really hope I can work with these guys again in the future. They have some really interesting stories to tell.